Korg Triton Le Boje Download Chrome
The sounds would certainly be more up to date, and more polyphony as well. I still have and use my 12 year old Triton Pro 76 - It's still getting the job done for live gigs, although I don't depend on it so much anymore for home studio projects.I was interested in replacing it with a Krome until I found out the Krome doesn't have aftertouch or the ribbon under the joystick.
This may or may not be a consideration for you, but for me it was a deal breaker. Maybe Korg will release the Krome X with aftertouch. I'd be the first in line to buy one if they did! Everytime I hear someone using a piano and organ sound from a triton, I feel delighted, since I know if I ever got the opportunity to dep for them, I only need to play about half as well as them, and can still sound far better.Subjective ^^I would hire the guy who played twice as well on old gear. So many of my favorite keyboardists were rocking DX7s and the like back in the day. Music is music, and although the older tech didn't sound as realistic, it often sounded just as musical 'in the mix.'
Korg Triton Le Boje Download Chrome Pro
I was once playing a jazz fusion gig with a Fender Rhodes and a Yamaha S30. That day, the S30 wasn't working for me, I just couldn't feel it, and was thinking ' I gotta upgrade this POS'. Well, one of the better keyboardists in the country walked in, and I invited him up. I gave him the S30, and I stayed on the Rhodes. He slayed me so badly I still blush thinking about it. That day I really understood how playing is 95% importance, and the tech is just something we deal with.'
Korg Triton Le Specs
A bad workman'. Etc.To the OP. Can you get a Krome on trial? I personally would be more worried about the keybed on the Krome.
My guess is that the original Triton will feel better. The Krome is a scaled-down Kronos. It is not a flagship synth like the Triton once was (and the Kronos now is). It lacks features such as aftertouch. Flagship synths from previous generations can be fetched used for half the price of today's new scaled-down models, and are usually better built, have way more features and functions, as well as a better quality keybed. And they hold up to gigging very well. They may lack some new (more modern sounding) sounds, but for gigging bread 'n butter needs, this really isn't relevant.
As long as it sounds good and stands up to mild road abuse, then it's all good. Products like the Krome are cool because they provide an entry level board or for someone who can't afford the full blown workstation, but I tend to stay away from 2nd-tier models and go for yesterday's flagship boards for their flexibility, durability and of course price.